There is a moment in the darkroom when the image floats up from the blank paper like a memory surfacing. The red light makes everything strange; the tray smells of chemicals and possibility.
Analog photography teaches patience to a generation raised on the instant. You compose, you wait, you expose, you wait again. The picture is a negotiation between what you saw and what the light agreed to keep.
I develop my landscapes slowly, the way you would develop a friendship — by showing up, by waiting, by trusting the process to reveal what it will.
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The Frame · Issue 07
Developing Light
Inside the darkroom, where images float up from blank paper like memories surfacing, and patience is the only developer.